{"id":331,"date":"2023-11-13T23:12:16","date_gmt":"2023-11-13T22:12:16","guid":{"rendered":"http:\/\/www.univ-oeb.dz\/declic\/?p=331"},"modified":"2023-11-13T23:24:54","modified_gmt":"2023-11-13T22:24:54","slug":"exil-identite-continuite-ou-rupture-dans-les-deux-trilogies-algerie-nordique-de-mohamed-dib","status":"publish","type":"post","link":"https:\/\/www.univ-oeb.dz\/declic\/2023\/11\/13\/exil-identite-continuite-ou-rupture-dans-les-deux-trilogies-algerie-nordique-de-mohamed-dib\/","title":{"rendered":"Exil, Identit\u00e9 : continuit\u00e9 ou rupture dans les deux trilogies Alg\u00e9rie, Nordique de Mohamed Dib , Dre BOUCHENE Karima"},"content":{"rendered":"\n\n\n\n\n
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  • Th\u00e8se intitul\u00e9e\u00a0: Exil, Identit\u00e9 : continuit\u00e9 ou rupture dans les deux trilogies Alg\u00e9rie, Nordique de Mohamed Dib<\/strong><\/li>\n\n\n\n
  • Dre BOUCHENE Karima, Universit\u00e9 d\u2019Oum El Bouaghi\u00a0\u00a0\u00a0<\/li>\n\n\n\n
  • Ann\u00e9e de soutenance : 2022<\/li>\n\n\n\n
  • Doctorat \u00e8s sciences<\/li>\n\n\n\n
  • Membre de l\u2019\u00e9quipe 5<\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n

    R\u00e9sum\u00e9 :<\/strong><\/h2>\n\n\n\n
    Ce travail se pr\u00e9sente dans le but de d\u00e9voiler les nouvelles strat\u00e9gies d\u2019\u00e9criture, propres \u00e0 Mohamed Dib, en partant de ses premiers textes r\u00e9alistes vers ceux du Nord, nous nous sommes fix\u00e9 comme objectif l\u2019\u00e9tude de l\u2019\u00e9volution terminologique des deux th\u00e8mes fondateurs de son \u0153uvre, \u00e0 savoir l\u2019exil et l\u2019identit\u00e9, et d\u00e9celer les raisons pour lesquelles Dib garde ces deux motifs en en faisant des constantes, jusqu\u2019aux derniers moments de sa cr\u00e9ation, nous nous sommes int\u00e9ress\u00e9e aux nouveaux apports des traumatismes \u00e0 l\u2019\u00e9criture, en partant de ce que nous avons eu comme monomythe ou drame personnel de Dib, que nous avons d\u00e9fini \u00e0 partir des situations dramatiques parues dans ses textes que nous avons superpos\u00e9s, suivant la th\u00e9orie psychocritique de Mauron Charles.
    Nous avons opt\u00e9 pour la transfiction de Richard Saint-Gelais, dans l\u2019analyse des liens nou\u00e9s entre les \u0153uvres de Dib, qui se pr\u00e9sentent comme une \u0153uvre fragment\u00e9e, marqu\u00e9e par le partage d\u2019un m\u00eame univers fictionnel, le retour des m\u00eames personnages, le prolongement de l\u2019intrigue pr\u00e9alable, ce qui confirme la pr\u00e9sence d\u2019une relation transfictionnelle et \u00e9galement la continuit\u00e9 de l\u2019engagement de Dib, dans l\u2019\u00e9criture de l\u2019exil et l\u2019identit\u00e9.
    Mots cl\u00e9s : <\/strong>Exil, Identit\u00e9, Continuit\u00e9, Rupture, Monomythe, traumatisme.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

    Abstract\u00a0<\/strong><\/h2>\n\n\n\n
    This work is presented with the aim of revealing the new strategies of writing, specific to Mohamed Dib, starting from his first realist texts towards those of the North, we set ourselves the objective of studying the terminological evolution of the two founding themes of his work, namely Exile and Identity, and to detect the reasons for which Dib keeps these two motives by making them constants, until the last moments of his creation, we are interested in the new contributions of the traumas to the writing, starting from what we have had as monomyth or personal drama of Dib, which we have defined from the dramatic situations appeared in his texts, that we have superimposed, following the psychocritical theory of Mauron Charles.
    We opted for the transfiction of Richard Saint-Gelais, in the analysis of the links forged, presented as a fragmented work, marked by the sharing of the same universe, the return of the same characters, the continuation of the previous plot, which confirms the presence of a transfictional relationship and also the continuity of Dib\u2019s commitment to writing exile and identity.
    Keywords: <\/strong>Exile, Identity, Continuity, Rupture, Monomyth, Trauma.<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"_links":{"self":[{"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/posts\/331"}],"collection":[{"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/comments?post=331"}],"version-history":[{"count":5,"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/posts\/331\/revisions"}],"predecessor-version":[{"id":350,"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/posts\/331\/revisions\/350"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/media\/332"}],"wp:attachment":[{"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/media?parent=331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/categories?post=331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/declic\/wp-json\/wp\/v2\/tags?post=331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}