{"id":8517,"date":"2023-05-01T16:47:01","date_gmt":"2023-05-01T13:47:01","guid":{"rendered":"http:\/\/www.univ-oeb.dz\/FLLE\/?p=8517"},"modified":"2023-05-01T17:02:42","modified_gmt":"2023-05-01T14:02:42","slug":"master-modern-and-contemporary-criticism","status":"publish","type":"post","link":"https:\/\/www.univ-oeb.dz\/FLLE\/?p=8517","title":{"rendered":"Master Modern and Contemporary Criticism"},"content":{"rendered":"\n<!--more-->\n\n\n\n<h2 class=\"has-text-align-center has-vivid-cyan-blue-color has-text-color has-medium-font-size wp-block-heading\">Program Name:Master Modern and Contemporary Criticism<\/h2>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-vivid-cyan-blue-color has-alpha-channel-opacity has-vivid-cyan-blue-background-color has-background\"\/>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-medium-font-size\" dir=\"ltr\"><strong>Program Description:<\/strong><\/p>\n\n\n\n<p dir=\"ltr\">It is an academic training based on a didactic study of French as a foreign language. Students will have to master French as a foreign language in all its linguistic, semantic and cultural dimension and will be equipped with a general culture that will allow them to better integrate into the professional space<\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-medium-font-size\" dir=\"ltr\"><strong>&nbsp;Programme Units and modules<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\" dir=\"ltr\"><strong>Semester 1<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-left\" data-align=\"left\"><strong>Theories of textual criticism<\/strong><br><strong>Poetry theory<\/strong><br><strong>Text theory<\/strong><br><strong>Discourse theory<\/strong><br><strong>Research methodology<\/strong><br><strong>Mechanics of psychological analysis<\/strong><br><strong>Mechanics of social analysis<\/strong><br><strong>Sources of literary and critical heritage<\/strong><br><strong>Modern and contemporary Intelectual discourse<\/strong><br><strong>English<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"has-medium-font-size\" dir=\"ltr\"><strong>Semester 2<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-left\" data-align=\"left\"><strong>Theories of textual criticism<\/strong><br><strong>Narrative science<\/strong><br><strong>generativism<\/strong><br><strong>Theory of reading and reception<\/strong><br><strong>Bibliography of mdern criticism<\/strong><br><strong>Mechanics of argumentation<\/strong><br><strong>Mechanics of narrative analysis<\/strong><br><strong>Theory of literary genres<\/strong><br><strong>Discourse of Arabic renainssance<\/strong><br><strong>Informatics<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"has-medium-font-size\" dir=\"ltr\"><strong>Semester 3<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-left\" data-align=\"left\"><strong>Arabic semiotic criticism<\/strong><br><strong>Algerian criticism<\/strong><br><strong>Theory of novel<\/strong><br><strong>Issues of modern criticm<\/strong><br><strong>Bibliography of modern criticism<\/strong><br><strong>Analysis of texts and manuscripts<\/strong><br><strong>Mechanics of stylistic analysis<\/strong><br><strong>Culture of image<\/strong><br><strong>theatrical criticism<\/strong><br><strong>Corruption and Work ethics<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"has-medium-font-size\" dir=\"ltr\"><strong>Semester 4<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>\u0627\u0644\u0639\u0645\u0644 \u0627\u0644\u0634\u062e\u0635\u064a (\u0645\u0630\u0643\u0631\u0629)<\/strong><br><strong>\u0627\u0644\u062a\u0631\u0628\u0635 \u0641\u064a \u0627\u0644\u0645\u0624\u0633\u0633\u0629<\/strong><br><strong>\u0627\u0644\u0645\u0644\u062a\u0642\u064a\u0627\u062a<\/strong><br><strong>\u0623\u0639\u0645\u0627\u0644 \u0623\u062e\u0631\u0649 (\u0645\u062d\u062f\u062f)<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:500px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Program Name:Master Modern and Contemporary Criticism Program Description: It is an academic training based on a didactic study of French as a foreign language. Students will have to master French as a foreign language in all its linguistic, semantic and cultural dimension and will be equipped with a general culture that will allow them to better integrate into the professional space &nbsp;Programme Units and modules Semester 1 Theories of textual criticismPoetry theoryText theoryDiscourse theoryResearch methodologyMechanics of psychological analysisMechanics of social analysisSources of literary and critical heritageModern and contemporary Intelectual discourseEnglish Semester 2 Theories of textual criticismNarrative sciencegenerativismTheory of reading and receptionBibliography of mdern criticismMechanics of argumentationMechanics of narrative analysisTheory of literary genresDiscourse of Arabic renainssanceInformatics Semester 3 Arabic semiotic criticismAlgerian criticismTheory of novelIssues of modern criticmBibliography of modern criticismAnalysis of texts and manuscriptsMechanics of stylistic analysisCulture of imagetheatrical criticismCorruption and Work ethics Semester 4 \u0627\u0644\u0639\u0645\u0644 \u0627\u0644\u0634\u062e\u0635\u064a (\u0645\u0630\u0643\u0631\u0629)\u0627\u0644\u062a\u0631\u0628\u0635 \u0641\u064a \u0627\u0644\u0645\u0624\u0633\u0633\u0629\u0627\u0644\u0645\u0644\u062a\u0642\u064a\u0627\u062a\u0623\u0639\u0645\u0627\u0644 \u0623\u062e\u0631\u0649 (\u0645\u062d\u062f\u062f)<\/p>\n","protected":false},"author":1,"featured_media":2456,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[181],"tags":[],"class_list":["post-8517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programs-offers"],"_links":{"self":[{"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=\/wp\/v2\/posts\/8517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8517"}],"version-history":[{"count":14,"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=\/wp\/v2\/posts\/8517\/revisions"}],"predecessor-version":[{"id":8546,"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=\/wp\/v2\/posts\/8517\/revisions\/8546"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=\/wp\/v2\/media\/2456"}],"wp:attachment":[{"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.univ-oeb.dz\/FLLE\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}